Gregory Freidin's Selected Publications

Russian Culture in Transition (Selected Papers of the International Working Group for the Study of Russian Culture, 1990-1991). Compiled, edited, and with an Introduction by Gregory Freidin. Stanford Slavic Studies 7 (1993)

A Coat of Many Colors: Osip Mandelstam and His Mythologies of Self-Presentation. Berkeley, Los Angeles and London: University of California Press, 1987.

Russia at the Barricades: Eyewitness Accounts of the Moscow Coup (August 1991), ed. by Victoria Bonnell, Ann Copper and Gregory Freidin. Introduction by Victoria E. Bonnell and Gregory Freidin (M.E. Sharpe, 1994).

American Federalists: Hamilton, Madison, Jay. Selections. With an Addendum of The Declaration of Independence, Articles of Confederation, and the Constitution of the United States. Translated into Russian, annotated and with an Introduction by Gregory Freidin. Leon Lipson, Consultant. Edited by V. & L. Chalidze. Benson, Vt.: Chalidze Publications, 1990.

Khrushchev Remembers: The Last Testament. Trans. and ed. by Strobe Talbott and Gregory Freidin (anonymously). With a foreword by Edward Crankshaw and an Intro. by Jerrold Schecter. Boston: Little, Brown, 1974.

"Transfiguration of Kitsch: Timur Kibirov’s Elegies for Soviet Civilization," An abridged version appeared in Endquote, ed. Yevgeny Dobrenko et al., Northwestern University Press, 2000.

Victor Pelevin's Dzheneraishen “P”. Foreign Policy. Spring 2000.

 “Moscow Diary, 1992-1998.” Neprikosnovennyi zapas (Moscow), No. 1(3), 1999. In Russian

“Without Cleopatra: Moscow In the Summer of 1992.” Neprikosnovennyi zapas (Moscow), No. 2 (4), 1999. Translated from English. For the original English, click here.

"Televorot: The Role of Television Coverage in Russia's August 1991 Coup," with Victoria E. Bonnell, The Slavic Review 1 (Winter 1994). Also in Nancy Condee, ed., Soviet Hieroglyphics: Visual Culture in Late Twentieth-Century Russia (Indiana University Press: Bloomington, 1995).

"From Under the Rubble: Meaning, National Identity and Social Justice in Russia After Communism's Collpase." What and Where Is Post-Colonialism? (Yale University Press, 1994).

"By the Walls of the Church and State: On the Authority of Literature in Russia's Modern Tradition" The Russian Review (April, 1993).

"Two Overcoats and a Bearded Joke: Urban Subculture and the Dominant Culture in Russia since the Death of Stalin" (In Russian) Znamia 9 (Moscow, September 1992); a section was published under the title, "The Overcoat, Red-Army Style" (in Russian), Nezavisimaia gazeta (Moscow, July 7, 1992)

"Or Did They [We] Live In Vain? Gorbachev's Values and Myths (With an Epilogue on Yeltsin)." In Russian. Russian Culture in Transition (Stanford, 1993).

"How Communist Is Communist Gorbachev?" Dilemmas of Transition: Eastern Europe and the USSR. Ed. by George Breslauer. Center for Slavic and East European Studies (Berkeley, 1991)

"Romans into Italians: Russkii in the Russian Language of State." Russian Culture in Transition (Stanford, 1993).

"On the Generation That Has Preserved Its Scholars: Correspondence Between Shklovsky and Jakobson, 1928-1930" (in Russian), In Honor of Joseph Frank (Stanford Slavic Studies 4-2, 1992)."

A Writer Meets the State," in The Gorbachev Era, eds. Alexander Dallin and Condoleezza Rice (Stanford Alumni Association, 1986).

"Authorship and Citizenship: A Problem for Modern Russian Literature" Stanford Slavic Studies 1 (1987)

"Justifying the Revolution As an Aesthetic Phenomenon: Nietzschean Motifs in the Reception of Isaac Babel (1923-1932)." Nietzsche In Soviet Culture (Oxford University Press, 1994).

"Isaak Babel," European Writers: The Twentieth Century (New York: Scribners, 1990)

"Babel': Revoliutsiia kak esteticheskii fenomen" (Russian version of "Justifying the Revolution as an Aesthetic Phenomenon," above). Novoe literaturnoe obozrenie 4 (1993).

"Between the Stalin Revolution and the West: Isaac Babel's Career in the late 1920s and Early 1930s" (in Russian). Stanford Slavic Studies 4-2, 1991

"La 'grande svolta'. L'Occidente e l'Italia nella biografia di I.E. Babel all'inizio degli anni '30." Special issue of Storia contemporanea 6 (1991): Intelletuali e cultura antidemocratica tra le due guerra mondiali.

"Fat Tuesday in Odessa: Isaac Babel's 'Di Grasso' as Testament and Manifesto," The Russian Review 40, no. 2 (April 1981):101-21. Reprinted in Isaac Babel, edited and with an introduction by Harold Bloom (New York: Chelsea House Publishers, 1987)

"Сидя на санях: Мандельштам и харизматическая традиция русского модернизма." (Sitting in the Sled: Osip Mandelstam and the Charismatic Tradition of Russian modernism). In Russian. Voprosy Literatury (Moscow) 1 (January, 1991).

Osip Mandelstam -- Encyclopaedia Britannica On-Line

Charisma of Poetry and Poetry of Charisma. Chapter 1, Gregory Freidin, A Coat of Many Colors: Mandelstam and His Mythologies of Self-Presentation ( UC Press, 1987)

"History and Myth (1930-1938)," Chapter 8, Gregory Freidin, A Coat of Many Colors: Mandelstam and His Mythologies of Self-Presentation ( UC Press, 1987)

"Mandelstam's Parleying with Stalin: History and Myth (1930-1938)" (in Russian) American Contributions to the Study of Russian Literature. Ed. by Elizabeth Neatrour and Boris Averin. Moscow (1994).

"Osip Mandelstam: The Poetry of Time (1908-1916)," California Slavic Studies 11 (1979):141-86

"The Whisper of History and the Noise of Time in the Writings of Osip Mandelstam," The Russian Review 37, no. 4 (October 1978):421-37