Published by MacroVU Press in support of the Visual Language
Project at Stanford University, which is directed by Robert E.
Horn.
The UPDATE summarizes the research and applications of visual
language and information design.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . .
In this issue
1. Position Paper -- Great Clip Art Battle
2. Two Conferences Coming Up In December
3. This Summer--"Infodesign 2000" Exhibits Our Murals
4. Book Review -- Information Visualization: Perception For Design.
5. Book Review -- The Humane Interface
6. New Review -- Visual Language
7. Course--"Visual Thinking And Visual Communication"
Now Available In Mexico
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . .
1. POSITION PAPER
-- GREAT CLIP ART BATTLE
The Great Clip Art Battle is upon us. We've had clip art for several
decades now, even before the arrival of the graphic computer.
But not until we began to recognize that there was a new language
emerging that tightly integrates words and graphics did clip art
begin to appear to be worth paying attention to. Good clip art
is essential to visual language's growth and development. To use
visual language fluently, assumes the user has to be able to have
clip art available quickly, conveniently, and inexpensively. We
are not all the way to this point yet, but we are closer than
ever.
So what is the battle about? The availability of a million pieces of clip art scares artists. Many of them trash the entire endeavor rather than recognizing that the graphic computer has produced an entirely new world for all communicators. Actually artist's business will grow, but it will also change.
Our project's book, "Visual Language: Global Communication for the 21st Century" has fueled this battle because it uses almost 3,000 pieces of clip art, with an average of 10 graphic clip art elements per double page spread.
Project Director Robert E. Horn has produced a draft position paper called the "Great Clip Art Battle". (html)
2. TWO CONFERENCES COMING
UP IN DECEMBER
An innovative co-siting of conferences that will be of interest
to many readers of this newsletter will be held in early December,
2000 in Orlando, Florida. This will be a chance for people to
meet our project director, Robert E. Horn, who will be speaking
at both conferences.
Information on the conferences:
2.A. THE INFO PRODUCER
CONFERENCE & EXPO
December 4-6, 2000 in Orlando, FL
The Info Producer Conference & Expo, is for professionals
who develop, design and manage documents, databases, and other
informational content (text, audio, graphics, and video) for delivery
or publication online. The program emphasizes knowledge acquisition,
content management, and document management systems.
CONTACT: <http://www.influent.com/infoproducer>
2.B. INFORMATION
MAPPING'S "MAKING KNOWLEDGE WORK" CONFERENCE
December 3-6, 2000 in Orlando, FL
The conference program focuses on providing a community for idea
exchange and techniques on how to make knowledge work. Specifically,
the program includes topics ranging from client-presented case
studies to sessions on Knowledge Management, Mapping and the Web,
XML, and new product introductions.
CONTACT: <http://www.informationmapping.com>
3. THIS SUMMER-- "INFODESIGN 2000" EXHIBITS OUR MURALS
Information design principles applied to mural-making was highlighted
this summer at Coventry University's School of Art and Design
(U.K.) The information-mural created by our project about the
debate as to whether computers will ever be able to think was
exhibited in conjunction with the InfoDesign 2000 Conference.
The exhibit, entitled InfoArcadia, was at the Stroom Center for
the Visual Arts in The Hague for three months earlier this year.
Our project director's speech, "The Representation of Meaning--Information
Design as a Practical Art and a Fine Art", at the InfoArcadia
exhibit is now available on our web site.
CONTACT:
Horn's speech: (html)
More on the exhibits: Visual Language Update #2000.2 (html)
4. BOOK REVIEW - INFORMATION
VISUALIZATION: PERCEPTION FOR DESIGN by Colin Ware (University
Of New Hampshire), Morgan Kaufmann, 2000. This book
is the best new survey of research on visual perception organized
for the visual information designer that we know of. In many ways,
it surveys the same data as William Horton's excellent "Illustrating
Computer Documentation" (Wiley, 1991) with the last decade's
research included. Horton's book is more of a quick reference.
Ware's book is more of a text book. They both supplement our project's
book, Visual Language: Global Communication for the 21st Century,
(MacroVU Press, 1998) which focuses on syntax and semantics of
putting words and images together.
CONTACT:
Information Visualization <http://www.mkp.com>
Illustrating Computer Documentation <http://www.wiley.com>
Visual Language <http://www.macrovu.com>
5. BOOK REVIEW--THE
HUMANE INTERFACE by Jeff Raskin
Jeff Raskin's "The Humane Interface -- New Directions for
Designing Interactive Systems"(Addison Wesley, 2000) has
one of the best no-nonsense treatments of the cognitive design
of human-computer interfaces. Raskin was fundamental in the creation
of the Apple Macintosh interface, now the standard computer interface
world-wide. His chapter on zoomable interfaces is the one of the
few treatments of that next-generation idea and by far the best.
We will need zoomable interfaces on the web to handle complex
visual displays, especially information landscapes.
CONTACT: www.jefraskin.com
6. NEW REVIEW -- VISUAL
LANGUAGE
Technical Communication Quarterly, the journal of the Association
of Teachers of Technical Writing, recently had a four-page review
by James M. Dubinsky of Virginia Tech of our project's book "Visual
Language: Global Communication for the 21st Century." Here
are some quotes from that review.
"In 1989, Karen Schriver, writing as a guest editor for Technical
Communication, laid out a few critical challenges that technical
communicators would face in the decade that lay ahead. Her primary
focus was the area of document design; she explained that "text"
meant "oral and written, and both visual and verbal"
and that technical communicators needed a research agenda that
focused in part on "creating and integrating visual and verbal
text to meet the readers' various and frequently changing needs".
Since then, primarily due to the information explosion related
to the advent of the World Wide Web and the proliferation of computers
and multimedia software, we've seen progress toward the integration
Schriver described. However, despite that progress, no one has
integrated the visual and verbal completely. While several scholars
and practitioners have spoken of a visual language (i.e., Kostelnick
and Roberts; Tufte), no one had presented a visual language in
such a way that readers could actually envision what it would
look like. Until now. In his recent book, which some are calling
a landmark text, Robert E. Horn does more than talk about integrating
the verbal and the visual, he accomplishes the integration fully
and uses the visual language he describes as the language of choice
in the text."
CONTACT:
Visual Language book description & contents: (html)
7. COURSE--"VISUAL
THINKING AND VISUAL COMMUNICATION" NOW AVAILABLE IN MEXICO
The bootcamp course -- designed by our project -- "Visual
Thinking and Visual Communication" is now available in Mexico
through a licensing arrangement with Information Mapping Mexico.
The course is for "word people" who realize they need
to learn how to put words and graphics together into visual language.
It covers topics such as diagram development, icons creation,
quantitative graphs, resemblances, and the new communication units
that tightly integrate words and graphics.
CONTACT:
Mexico: tbiro@informationmapping.com.mx
USA: <http://www.macrovu.com/VTVCCourse
Details.html>
or <http://www.macrovu.com/VTVCpleasecontactme.html>
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . .
The VISUAL LANGUAGE UPDATE is free.
Feature articles in international journals, such as "New
Scientist", have focused attention on our visual language
project. As a result, we've been asked a lot of questions about
this new field, so we've launched this newsletter. Our goal is
to keep you up-to-date on developments in the field of visual
language and visual information design. We will summarize the
projects we're working on, both research and applications. We'll
review important books and articles in the field and present brief
critiques of important issues in the field. We thank our publisher,
MacroVU Press for its support of this newsletter.
---Bob Horn, Project Director
To subscribe/unsubscribe, contact <info@macrovu.com>
Apologies for any multiple recipients of this issue.
Editor: Robert E. Horn, visiting scholar,
Stanford University
Email: <hornbob@earthlink.net>
*************************************************************************
Please share the Visual Language Update with your friends and
colleagues; we ask only that you keep the following attached:
Entire contents copyright 2000 R. E. Horn