Global Noise - Appropriation, Localization, and Racial Identification

of World Hip Hop

 

Angela Steele, Instructor

 

 

ÒHip Hop is the voice of this generation. It has become a powerful force. Hip-Hop binds all of these nationalities, all over the world.Ó Ð DJ Kool Herc CanÕt Stop WonÕt Stop

            Born in the embattled streets of New York City in the 1970s, Hip Hop culture has grown into a powerful artistic, cultural, and political movement. From Shanghai to San Juan youth around the world are now using Hip Hop culture to express the realities of their lives. This course will examine Hip Hop cultures in Japan, China, France, Italy, Kenya, and the Philippines. Students will use written texts, films, and music to explore issues of authenticity, identity formation, and processes of appropriation, localization, race, and resistance.

 

http://hiphoparchive.stanford.edu/

 

 

Grading Policy:

Midterm Paper                       25%

Final Project                            40%

Class Participation                  25%

Attendance                              10%

 

 

 

 

September 27

Week 1: Introduction

 

Introduction

Review Syllabus

Brief History of Hip Hop

 

October 4

Week 2: The Hip Hop Movement

 

Readings -

ÒAnother Root:  Hip Hop Outside the USAÓ. Tony Mitchell in Global Noise: Rap and Hip-Hop Outside the United States. Middletown, CT: Wesleyan University Press, 2002.

ÒFunk the WorldÓ. Nelson George in Hip Hop America. New York, NY: Penguin Books, 1998

Guest Lecture: Dr. Marcyliena Morgan

 

 

 

 

 

October 11

Week 3: Hip Hop in China

 

Readings -

ÒChina's Hip-Hop Dance CrazeÓ Jaime Florcruz. CNN. January 6, 2004

< http://edition.cnn.com/2004/WORLD/asiapcf/01/05/trends.chinahiphop/>

ÒCultural Synchronization: Hip Hop with Chinese Characteristics?Ó Jeroen de Kloet for International Association for the Study of Popular Music (2005) , pp. 1-11.

<http://www.iaspm.nl/inhoud/IASPM_2005_dekloet.pdf#search=%22Cultural%20Synchronization%3A%20Hip%20Hop%20with%20Chinese%20Characteristics%22>

ÒDisjuncture and Difference in the Global Cultural EconomyÓ Arjun Appadurai in  Modernity at Large. Twin Cities:  University of Minnesota Press, 1996.

Theme:  Appropriation

 

October 18

Week 4:  Hip Hop in Japan

 

Readings -

ÒA History of Japanese Rap Music:  Street Dance, Club Music, Pop Market.Ó Ian Condry. In Global Noise: Rap and Hip-Hop Outside the United States ed. Tony Mitchell. Middletown, CT: Wesleyan University Press, 2002.  

ÒJapan Grows its Own Hip-HopÓ Yo Takatsuki. BBC News. December 13, 2003.

< http://news.bbc.co.uk/2/hi/asia-pacific/3324409.stm>

ÒFetishized Blackness: Hip Hop and Racial Desire in Contemporary JapanÓ Nina Cornyetz in Social Text, No. 41 (Winter, 1994), pp. 113-139

ÒParadigms of Race:  Ethnicity, Class, and Nation.Ó Michael Omi & Howard Winant in Racial Formation in the United States: From the 1960s to the 1990s (1994), pp. 9-47.

Film: Struggle and Success: The African American Experience in Japan

Theme:  Racialization

 

October 25

Week 5:  Hip Hop in France 

 

**Midterm Papers Due**

 

Readings Ð

ÒPostcolonial Popular Music in France.Ó Andre J.M. Prevos in Global Noise: Rap and Hip-Hop Outside the United States ed. Tony Mitchell. Middletown, CT: Wesleyan University Press, 2002.

ÒFrench rappers' prophecies come trueÓ Nov. 16, 2005 BBC News

<http://news.bbc.co.uk/2/hi/europe/4440422.stm>

 ÒFrench MP blames riots on rappersÓ Nov. 24, 2005 BBC News

<http://news.bbc.co.uk/2/hi/europe/4467068.stm>

ÒCapitalist ToolÓ. Nelson George in Hip Hop America. New York, NY: Penguin Books, 1998

Video: La Haine

Theme: Political Organization

 

 

November 1

Week 6: Hip Hop in Italy

 

**Final Project Proposals Due**

 

ÒFightinÕ the Faida:  The Italian Posses and Hip Hop in Italy.Ó Tony Mitchell in Global Noise: Rap and Hip-Hop Outside the United States ed. Tony Mitchell. Middletown, CT: Wesleyan University Press, 2002.

ÒThe Free Trade Art Agreement.Ó Guillermo Gomez-Pena in The New World Border:  Prophecies, Poems & Loqueras for the End of the Century (1996) pp. 5-18.

Themes: Transnationality/Hybridity

 

November 8

Week 7

 

Guest Speaker

 

November 15

Week 8

 

Guest Speaker

 

November 29

Week 9

 

Presentation of Final Projects, Day 1

 

December 6

Week 10

 

Presentation of Final Projects, Day 2

 

 

 

 

 

 

 

 

 

 

 

 

 

Date

Country

Topic

Film(s)

4-Oct

XXX

The Hip Hop Movement

Inventos

11-Oct

China

Appropriation

Amis Hip Hop, No Sleep Till Shanghai

18-Oct

Japan

Racialization

Nihon Style, Struggle and Success

25-Oct

France

Political Organization

La Haine, Resistencia

1-Nov

Italy

Transnationality/Hybridity

Pass the Mic

8-Nov

Guests

 

Desde el Principio

15-Nov

Guests

 

Hip Hop Colony, Hali Halisi