Rachel Antell

Rachel Antell received a Masters of Theology from Harvard Divinity School, and worked for many years on a project researching religious pluralism and spirituality in the United States. Her production experience includes two CD-ROMs: On Common Ground: World Religions in the United States, and Encarta Africana: An Encyclopedia of Black History and Culture. She is a long-time political activist, and hopes to use documentary film to affect social change.





Death on a Friendly Border
digital video
26 min.

Death on a Friendly Border explores the difficulties faced by the thousands of migrants each year in attempting to make the journey across the border. Since the mid-1990s when the United States began militarizing the US-Mexican border, an average of one person a day has died trying to cross into our country. This film attempts to put a human face on this international tragedy. The film takes place in three locations; San Pedro Chayuco, a tiny town in the mountains of Oaxaca from which we follow the story of one woman who attempted to cross the US desert with her baby; a migrant shelter in Tijuana where people live in a liminal state having been caught by Border Patrol and waiting to try again; and in the border region of the US where we hear from a human rights activist, a Border Patrol Agent, and a citizen who spends his weekends putting water in the desert.

  • Angelus Award, Los Angeles, Outstanding Non-Fiction Filmmaking, 2001.
  • NextFrame Film Festival, 2001.
  • Kasseler Dokufilm and Videofest, Germany, 2001.
  • FIDEC, Belgium, 2001.
  • Providence Women's Film Festival, 2001.
  • Laborfest, 2001.
  • United Nations Film Festival, 2001.
  • San Francisco Latino Film Festival, Best Student Documentary, 2001.
  • Slamdance Film Festival,2002.
  • Havana Film Festival, 2002.
  • DoubleTake Documentary Film Festival,2002.
  • San Diego Latino Film Festival, 2002.
  • Brooklyn International Film Festival, 2002.
  • Edgeworks Short Film Festival, 2002.
  • Independent View,KQED-TV, 2002.
  • Video-i, KTEH, 2002.
  • Worldlink-TV, 2002.
  • RTVE, Spain, 2002.

  • A Fortune in Change
    16mm, color film
    6 min.

    A Fortune in Change is a portrait of Tracy Gary, a woman who grew up with extreme wealth and has dedicated her life to giving away her inheritance. The film explores the contradictions of Tracy's childhood which included parties, private planes, and boarding school as well as half to three quarters of each month away from her family. It then follows her evolution into an adult who has dedicated her life to creating community organizations, breaking the barrier of silence around class, and organizing other wealthy people to do the same.

    FESTIVALS: One Reel Film Festival, 2001.
    Film Arts Foundation 2000, Cinequest 11.
    Women in the Director's Chair, 2001.

    BROADCAST: Broadcast on KQED Independent View, 2000-2001.


    Her Own Law
    Co-directed by Rachel Antell and Jennifer Petrucelli

    digital video
    8 min.

    Her Own Law is about a woman's right to choose how and where to have her baby and the ways in which that choice is threatened. The video explores the practice and philosophy of homebirth midwifery -- and considers ways in which doctors and midwives might work together to provide a continuum of care for all women.

    FESTIVALS:

  • Women In the Director's Chair, 2000.
  • Providence Womenís Film Festival, 2001.
  • Tiburon Film Festival, 2002.


  • Not a Luxury
    16mm, black and white film
    5 min.

    Not a Luxury is a portrait of two Bay Area spoken word artists, Roxanne Hanna-Ware and Kev the Messenger. The film focuses on the art form and message of Afrocentric poetry, and the meaning it has had in the lives of the two artists.